Lately, I’ve been wrestling with the subtle, hard-to-pin-down subject of voice in fiction. I’m not talking about the writer’s voice, but about that of the point of view character. As a friend of mine once said, a good novel needs three things: interesting characters, something fascinating for them to do, and a strong voice. When I heard that, I knew it was right. But my first thought was, “If only doing that was as easy as it sounds!” My second was, “How can I get a better handle on voice?” Continue reading “What Creates a Powerful Character Voice?”
On one writers board I frequent, people repeatedly warn about using forms of the verb “to be” because that would be “passive voice” and that’s bad writing. Every time I read that, my blood pressure rises a little. Allow me to differentiate between passive voice, emphasis on action, and the delights of characters who shape situations rather than just respond to them.
Warning: Grammar ahead
The terms “active voice” and “passive voice” apply only to transitive verbs, i.e. verbs that pass action from an actor to a receiver. In an active voice sentence, the subject of the sentence is the actor. For example, in “John hit the ball,” “John” is both the subject of the sentence and the one who’s doing the hitting. In a passive voice sentence, the subject of the sentence is the receiver of the action. For example, in “The ball was hit by John,” “ball” is the subject and is being hit.
Passive voice is useful if you want to hide the doer because you can omit the “by” phrase (The ball was hit). It’s also useful if the receiver of the action is more important than the doer (Ross Hall was built…). However, passive voice sentences are slightly but measurably slower to read and harder to comprehend. Continue reading “Three Tips to Avoid Passive Voice and Passive Writing”
I’m happy to announce that I’ve signed a book contract with Inspired Quill to publish The Wind Reader in September, 2018.
Inspired Quill is a small, UK press that thinks of itself as a “social enterprise,” meaning it looks to give back to the community. I’m very excited to be working with them. Continue reading “Book Contract with Inspired Quill”
I’ve spent a huge portion of my adult life researching the writing of engineers. I won six national awards for that work, including one from IEEE. You’d think nothing could be farther from writing a middle-grade or YA fantasy. When I wrote my first novel, however, I realized I was still doing some of the same work. First, I was making the familiar strange and the strange familiar. And second, even more important, I was trying to understand the workings of power. Continue reading “How Studying Engineers Surprisingly Matches Writing Fantasy”